Information About the 4K Red One Digital Cinema Camera
The RED One is a 4K Digital Film Camera from RED Digital Cinema. It offers an unparalleled flexibility to accommodate all types of production styles from cinema to ENG. Utilizing a proprietary 
4k super 35mm size sensor, the RED One is able to deliver 4k images at a variety of frame rates. The 12bit sensor produces images in their native RAW format giving you impressive range and an unmatched flexibility in post production to manipulate your footage.
Below is a quick guide to how the Red One Camera outstrips all the competition hands down.
| digital camera | sensor size | recording format |
| RED ONE | 4096 x 2304 | 4K - 4096 x 2304 |
| Panavision | 5760 x 2160 | HD 1080p - 1920 x 1080 |
| Arri D20 | 2880 x 2160 | HD 1080p - 1920 x 1080 |
| Sony F900 | 1920 x 1080 | HD 1080p - 1920 x 1080 |
| Sony DigiBeta | 980 x 1164 | SD - 720 x 576 |
RED's modular design allows the camera to be configured in a variety of styles. The RED Rails and mounting system allows an almost unlimited amount of accessories to be attached to the camera, or the camera to be attached to a variety of support systems. The
RED One Camera offers the use of 35mm sized PL lens, as well as adapters for 2/3 inch video & Nikon still lens. This allows the camera to utilize the vast selection of lens currently made and to allow you to use lens that best suit your production.
RED's Mysterium sensor offers impressive dynamic range and color fidelity to the point that it is equal to, or surpasses traditional 35mm film. Not looking for 4k images... the RED One and REDCINE software support down-sampling to common HD formats such as 1080p and 720p.
| RED ONE digital cinema CAMERA CAPTURE OPTIONS | |
|---|---|
| 2K 2:1 2048 x 1024 | 4K 2:1 4096 x 2048 |
| 2K 16:9 2048 x 1152 | 4K 16:9 4096 x 2304 |
| 2K Anamorphic 1382 x 1152 | 4K HD 3840 x 2160 |
| 3K 2:1 3072 x 1536 | 4K Anamorphic 2764 x 2304 |
| 3K 16:9 3072 x 1728 | 4.5K 4480 x 1920 |
| 3K Anamorphic 2074 x 1728 | |
More About The Red One Digital Cinema Camera.
1 x BNC to DIN 1.0/2.3The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics.
Typical high-end HD camcorders have 2.1M pixel sensors and record with 3:1:1 color sub-sampled video at up to 30fps. RED offers the Mysterium ™ Super 35mm cine sized (24.4×13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native red one 4kRAW. At 4K, that’s more than 5 times the amount of information available every second and a vastly superior recording quality.
In addition, you get the same breathtaking Depth of Field and selective focus as found in film cameras using equivalent 35mm P/L mount lenses. Mysterium ™ boasts greater than 66db Dynamic Range thanks to its large 29 sq. micron pixels. And 12,065,000 pixels deliver resolution that can only be called Ultra High Definition.
Shoot lightweight EFP style (body around 10 lbs., in rugged aluminum alloy) or load it up to shoot a feature film. Options include RED-RAIL™ mounting accessories that “grow” the camera body. Configure for tripod, crane or long lens applications. High-resolution RED LCD and EVF monitors come equipped with advanced tools for framing, exposure and focus.
The RED ONE™ body and RED-RAIL components provide numerous mounting points to allow hundreds of optional RED and third party accessories… some that haven’t even been dreamed of yet. Choose between the convenience and durability of recording directly to Compact Flash, in-camera, or outputting signal to RED FLASH DRIVE or RED DRIVE (RAID) for even longer recording options.
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